Our First Zoom meeting will be Monday January 30 at 7pm EST
we will discuss image and surfaces and set up dates and times that work for all. First zoom is chat only about subject, vision, composition etc.
5 weeks from Brush to Surface. last meeting will be Monday March 6, 2023
we will discuss image and surfaces and set up dates and times that work for all. First zoom is chat only about subject, vision, composition etc.
5 weeks from Brush to Surface. last meeting will be Monday March 6, 2023
Brush it Bold 'ALL IN' workshop
This workshop is different from other and for intermediate to advanced painters only.
A the first meeting we will discuss goals, voice, images and how to get your point across.
Set a date(s) for me to demo.
You will paint on your own time. But you must progress each week. Try to work in short stints to keep it fresh.
You will work on your own so you can be free (hard to paint in workshop atmosphere) and crank your tunes
We will meet Monday evenings to see progress and offer critiques
This idea behind this workshop is to have you thinking abstractly, while getting your point across and to develop your voice and confidence.
Working in short sessions will keep you loose and your marks simple.
This workshop is different from other and for intermediate to advanced painters only.
A the first meeting we will discuss goals, voice, images and how to get your point across.
Set a date(s) for me to demo.
You will paint on your own time. But you must progress each week. Try to work in short stints to keep it fresh.
You will work on your own so you can be free (hard to paint in workshop atmosphere) and crank your tunes
We will meet Monday evenings to see progress and offer critiques
This idea behind this workshop is to have you thinking abstractly, while getting your point across and to develop your voice and confidence.
Working in short sessions will keep you loose and your marks simple.
Please note: the zoom link and information to get the most from this workshop will be mailed out 1 week prior.
This is a virtual workshop. it is best done with a large screen as possible to see.
You may also need a tablet or phone to take and email photos although I am working on a solution to that
Please have some scrap paper to practice brush strokes on.
Good lighting is important. I must be able to see your painting. the light should be on the painting not behind.
Your easel should be set up straight, not at an angle
You may also need a tablet or phone to take and email photos although I am working on a solution to that
Please have some scrap paper to practice brush strokes on.
Good lighting is important. I must be able to see your painting. the light should be on the painting not behind.
Your easel should be set up straight, not at an angle
Brush it Bold
Painting workshop with Sheila Davis SCA OSA
Supply List for 2 day workshop:
1 Canvas or prepared * wood panels (do not tone with colour)30 X 30 min go as big as you can manage.
Brushes – synthetic please. Bright with good spring
I use Robert Simmons Titanium*.
Long handle Brights size, 4, 6, 8
Short handle Glaze ¾ “ & 1”
I will have them available to purchase – contact me for more information
Odourless mineral spirits and container with lid (stainless brush tin or shallow glass jar)– Gamsol or Opus Odourless Mineral Spirits.
2 water tubs for acrylics
Palette You will need a large mixing area min 12 X 16” you will be changing or cleaning your palette often. Glass is perfect as it can be scraped clean easily.
Easel – floor is best as you need to stand and move
Paper towels – one large roll at least
A good rubber glove for you cleaning hand. Vinyl is fine for your painting hand
*raw wood to be prepared with two coats of clear Liquitex gesso sanded. Finished edges how you wish. Prepare min 2 days ahead.
* You will NOT get the same affects as myself working with acrylic. But I will help you along.
Colour Shaper – little rubber thing that moves paint around – a nice tool to have.
oil sticks (not pastels) in you favourite colours
anything else you might want to try....metal leaf etc.
this is the time to push yourself out of your comfort zone
Oil paint – KAMA OR GAMBLIN
Paint - my personal preferences after 25 years of painting. No tube greens or black allowed ☺
If you don’t like a colour don’t buy it!
Many colours have the same name and are the same… some aren’t. It’s a learning curve getting to know each brand
Colours in BOLD are large 150 ml tubes.
If purchasing other brands compare colours! Different brands have different colour and names. Colour charts are on the web. I don’t know them so can’t really help. I can help you mix what you have
*colours on my palette
Winton Titanium White or Soft Mixing White – large 200 ml tube
Kama (Oil only) OR Gamblin (oil only)
*Transparent yellow oxide Transparent earth yellow
*Transparent red oxide Transparent earth red
Green Gold
*Ultramarine blue Ultramarine blue
*Indian yellow Indian yellow
*Naples yellow light radiant yellow
*Violet grey radiant violet
*Besner Blue no 1 radiant turquoise
*Blue Grey radiant blue
cerulean blue hue
Cobalt blue
Manganese hue (for winter) Manganese hue (for winter)
* Transparent Orange
*Quinacridone Red Quinacridone Red
i have also added M Graham colour Turquoise to my palette, it is a cool pthalo turquiose. transparent.
http://www.kamapigment.com/index_en.html
Kama Oil sticks – Kama oil sticks are a hard stick of strong pigment used for calligraphy and scribbles. Other brands are soft and mushy. Pick a few to play with! My fav are Cyan, Cad orange light, Turquoise Cobalt Light, Azur blue. Cinnabar Green, Fluorescent Pink BUY WHAT YOU LIKE
Trying Oil for the first time and don’t want to invest in all the colours?
Bare bones list of colours:
Titanium white – large tube
Transparent yellow oxide
Transparent red oxide
Ultramarine blue
Cerulean blue hue
Naples yellow (kama brand)
Lemon yellow
Indian yellow
Quinacridone red or alizarin crimson
ACRYLIC PAINT – heavy body is preferred
Titanium white
Ultramarine blue
Transparent yellow oxide or Nickel Azo yellow
Lemon yellow (cad or Hansa)
Red light (Hansa or cad)
Cobalt Blue Hue
Cerulean Blue Hue
Indian yellow
Hansa orange
Quinacridone red
Light Turquoise
Light violet
Cobalt teal
transparent red iron oxide or trans burnt sienna
light Phthalo turquoise
I like Acrylic Markers for calligraphy, acrylic ink markers can also be used
Air Brush Medium (think like water – for drips and splatter)
Extender medium
Painting workshop with Sheila Davis SCA OSA
Supply List for 2 day workshop:
1 Canvas or prepared * wood panels (do not tone with colour)30 X 30 min go as big as you can manage.
Brushes – synthetic please. Bright with good spring
I use Robert Simmons Titanium*.
Long handle Brights size, 4, 6, 8
Short handle Glaze ¾ “ & 1”
I will have them available to purchase – contact me for more information
Odourless mineral spirits and container with lid (stainless brush tin or shallow glass jar)– Gamsol or Opus Odourless Mineral Spirits.
2 water tubs for acrylics
Palette You will need a large mixing area min 12 X 16” you will be changing or cleaning your palette often. Glass is perfect as it can be scraped clean easily.
Easel – floor is best as you need to stand and move
Paper towels – one large roll at least
A good rubber glove for you cleaning hand. Vinyl is fine for your painting hand
*raw wood to be prepared with two coats of clear Liquitex gesso sanded. Finished edges how you wish. Prepare min 2 days ahead.
* You will NOT get the same affects as myself working with acrylic. But I will help you along.
Colour Shaper – little rubber thing that moves paint around – a nice tool to have.
oil sticks (not pastels) in you favourite colours
anything else you might want to try....metal leaf etc.
this is the time to push yourself out of your comfort zone
Oil paint – KAMA OR GAMBLIN
Paint - my personal preferences after 25 years of painting. No tube greens or black allowed ☺
If you don’t like a colour don’t buy it!
Many colours have the same name and are the same… some aren’t. It’s a learning curve getting to know each brand
Colours in BOLD are large 150 ml tubes.
If purchasing other brands compare colours! Different brands have different colour and names. Colour charts are on the web. I don’t know them so can’t really help. I can help you mix what you have
*colours on my palette
Winton Titanium White or Soft Mixing White – large 200 ml tube
Kama (Oil only) OR Gamblin (oil only)
*Transparent yellow oxide Transparent earth yellow
*Transparent red oxide Transparent earth red
Green Gold
*Ultramarine blue Ultramarine blue
*Indian yellow Indian yellow
*Naples yellow light radiant yellow
*Violet grey radiant violet
*Besner Blue no 1 radiant turquoise
*Blue Grey radiant blue
cerulean blue hue
Cobalt blue
Manganese hue (for winter) Manganese hue (for winter)
* Transparent Orange
*Quinacridone Red Quinacridone Red
i have also added M Graham colour Turquoise to my palette, it is a cool pthalo turquiose. transparent.
http://www.kamapigment.com/index_en.html
Kama Oil sticks – Kama oil sticks are a hard stick of strong pigment used for calligraphy and scribbles. Other brands are soft and mushy. Pick a few to play with! My fav are Cyan, Cad orange light, Turquoise Cobalt Light, Azur blue. Cinnabar Green, Fluorescent Pink BUY WHAT YOU LIKE
Trying Oil for the first time and don’t want to invest in all the colours?
Bare bones list of colours:
Titanium white – large tube
Transparent yellow oxide
Transparent red oxide
Ultramarine blue
Cerulean blue hue
Naples yellow (kama brand)
Lemon yellow
Indian yellow
Quinacridone red or alizarin crimson
ACRYLIC PAINT – heavy body is preferred
Titanium white
Ultramarine blue
Transparent yellow oxide or Nickel Azo yellow
Lemon yellow (cad or Hansa)
Red light (Hansa or cad)
Cobalt Blue Hue
Cerulean Blue Hue
Indian yellow
Hansa orange
Quinacridone red
Light Turquoise
Light violet
Cobalt teal
transparent red iron oxide or trans burnt sienna
light Phthalo turquoise
I like Acrylic Markers for calligraphy, acrylic ink markers can also be used
Air Brush Medium (think like water – for drips and splatter)
Extender medium